Faculty
Centrum Faculty
This skilled creative collective could wrap their arms around the globe. Much respect, big hugs.
Valerie Miner
Morning Workshop Faculty
Valerie Miner is the award winning writer of 9 novels, 5 story collections and 2 books of non-fiction. Her work has appeared in Ploughshares, The Georgia Review, Triquarterly, Salmagundi, New Letters, Prairie Schooner, The Gettysburg Review, over 60 anthologies, and on BBC Radio 4. Winner of a Distinguished Teaching Award, she been on the faculty at Stanford University, U.C.…
Valerie Miner
Afternoon Workshop Faculty
Valerie Miner is the award-winning author of 15 books. Her work has appeared in Ploughshares, The Georgia Review, Triquarterly, Salmagundi, New Letters, Prairie Schooner, The Gettysburg Review, over 60 anthologies, and on BBC Radio 4. Winner of a Distinguished Teaching Award, she has taught at Stanford University, U.C. Berkeley, University of Minnesota, Arizona State University, etc.…
Nia-Amina Minor
Faculty
Originally from Los Angeles, Nia-Amina Minor is a movement artist who resides in Seattle, WA. Her creative work converses with Black realities and investigates the intersection of movement, memory, and rhythm.Nia-Amina holds a MFA from UC Irvine and a BA from Stanford University. She has taught and guest lectured at University of Washington, Saddleback College, Cypress College, and UC Irvine.…
Tom Mitchell
Guitar
Tom Mitchell is a guitar player and singer rooted in the styles of the 1920’s and 30’s jazz, western swing, country blues and old-time music; he’s happily been both sideman and leader for a great variety of musical endeavors. In addition to singing and playing guitar, he’s played mandolin, banjo, tenor guitar or tiple when the need arose.…
Ayesha Mohyuddin
Ayesha Mohyuddin is a contemporary jewelry artist who explores identity, spirituality, and ways of knowing through body-related objects and performance. Ayesha is interested in capturing the complexities of home, history, and identity through material, ritual, performance, and eating. Her recent work uses food, cooking, and the tools of the kitchen to express the physicality of nostalgia, identity, and history.…
Bruce Molsky
New York State
Grammy-nominated Bruce Molsky transports audiences to another time and place, with his authentic and personal interpretations of rarities from the Southern Appalachian songbook and other musical traditions from around the globe. Best known for his work on the fiddle, Bruce’s banjo, guitar and his distinctive, powerful vocals also resonate with listeners.…
Sarah Kate Morgan
Tennessee
mountain dulcimer
Born of Appalachian soil in Sharps Chapel, Tennessee, Sarah Kate Morgan sings, plays, and writes like she’s been in these hills since the dawn of time. She’s had plenty of varied influences, beginning with hearing a classical music CD belonging to her family and going on to discover old time music through a dulcimer built by her grandfather.…
Dean Mueller
Band Lab
Dean’s journey from bass player to front man was an unexpected but powerful transformation. After years of performing with renowned bands and blues legends, he stepped into the spotlight with his debut solo album, Life Ain’t All Roses (2023). The album showcased his storytelling abilities and the rich blend of his blues roots with folk-inspired melodies. Based in Oregon since 1998, Dean has become a key figure in the state’s music scene, both as a performer and a promoter.…
Karla Mundy
Karla Mundy is a vibrant, soulful and diverse vocalist, pianist, arranger and choir leader. She grew up outside Calgary, Alberta and from a young age, was extremely passionate about piano, singing and dancing. She studied piano from the age of seven onwards, sang at all times and was introduced to many styles of music through her study of jazz, modern, flamenco, African and Latin dance as a teenager.…
Matt Munisteri
Artistic Director, Red Hot Strings
Guitarist, singer, songwriter, and Brooklyn native Matt Munisteri grew up with early interest in American folk music that led him from finger-style Country and Ragtime guitar, through Blues, to Tin Pan Alley and Jazz. His own compositions, and lauded guitar playing, accurately reflect this life-long immersion in the history of American Popular Song; linking rural and urban, long-gone with contemporary.