Faculty
Centrum Faculty
This skilled creative collective could wrap their arms around the globe. Much respect, big hugs.
Nova Karina Devonie
Nova Karina Devonie hails originally from Vancouver, B.C. She has been delighting audiences with her sensitive (and sometimes humorous) accordion playing, sonorous singing style, and sideways fashion sense since the 1980’s.
Amanda Donnan
Amanda Donnan is a Seattle-based curator with twenty years of experience in non-profit art organizations. She was formerly Chief Curator & Director of Exhibitions at Frye Art Museum, where she oversaw the artistic program and organized more than thirty exhibitions between 2017 and 2024. Her projects at the Frye include the solo or two-person presentations Jessica Jackson Hutchins: Wrecked and Righteous (2024), duane linklater: mymothersside (2021; traveled to MCA Chicago and Berkeley Art Museum), Dress Codes: Ellen Lesperance and Diane Simpson (2019), and Tschabalala Self (2019), as well as group exhibitions Door to the Atmosphere (2022; co-curated with Srijon Chowdhury) and Group Therapy (2018).…
Ryler Dustin
Afternoon Workshop Faculty
Ryler Dustin began his poetry career by performing spoken word; he placed eighth while representing Seattle in the Individual World Poetry Slam, headlined at spoken word venues across the country, and was featured in The Best of Button Poetry. He is the author of Heavy Lead Birdsong from Write Bloody Publishing and Trailer Park Psalms, winner of the University of Pittsburgh’s Agnes Lynch Starrett Prize.…
Jeremy Dutton
Faculty
Drums
Moving in a matrices of sound, Houston born drummer Jeremy Dutton weaves a netting of intention, comprising explicit and implied articulations, steady and emergent pulses. (Bluenote Records) A resident of New York for the past 9 years, Dutton is the rhythmic force behind some of the most critically acclaimed jazz records including “Kingmaker” (Joel Ross Bluenote), “Who Are You?” (Joel Ross Bluenote), “Flight” (James Francies Bluenote), “Purest Form” (James Francies Bluenote), and “Magdalena” (Maria Grand Biophilia).…
Chuck Easton
Vocal Accompanist & Music Theory
Guitar
Guitarist Chuck Easton is a long time Olympic Peninsula resident who teaches and plays locally. He plays bass in the Pt. Townsend Symphony Orchestra and owns a few other instruments as well. Chuck is a graduate of the Berklee College of music in Boston.
Taylor Eigsti
Faculty
Piano
GRAMMY® Award-winning pianist and composer Taylor Eigsti started playing the piano when he was four years old. Growing up in Menlo Park, CA, Eigsti was quickly labeled a prodigy, and has since released 8 albums as a bandleader, in addition to appearing on over 70 albums as a sideman. Eigsti recently won a 2022 GRAMMY® Award for Best Contemporary Instrumental Album for his most recent album “Tree Falls”, released in 2021 on GSI Records.…
Maude Eisele
Faculty
Maude is a founding ensemble member of Saltfire Theatre in Port Townsend. Her passion for collaborative theatre has brought her into many theatre ensembles over the years: from Poor Players, a bold and wacky Shakespeare ensemble rehearsing in the shadows of Balboa Park in San Diego…to world and regional premiers with the Boulder Ensemble Theatre Company…to the Colorado Shakespeare Company’s touring troupe’s explorations of bullying behavior and its remedies through Shakespeare’s words.…
Rebecca Elatiki
Faculty
Rebecca is a Moroccan-American singer-songwriter, heavily influenced by spiritual and folk traditions from the Middle East/North Africa, South America, as well as contemporary music genres from the West. Born to a classically trained opera singer and a natively born Moroccan father, she brings a unique blend of vocal techniques, and influences. She has facilitated music for concerts, retreats around the world, festivals, sound journeys, and hosts songwriting groups for both youth and adults.…
Shane Endsley
Faculty
Trumpet
The child of symphony musicians, Shane Endsley grew up immersed in the sound of trumpet and flute practice and surrounded by stacks of vinyl records. This early classical instruction served him well in terms of technique and tone production. Then using his father’s Bix Beiderbeck and big band records as a springboard, Shane began pointing his horn in a more experimental direction as he grew older.…