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David Grisman
Special Guest Instructor
In the course of a career that has spanned more than six decades, David Grisman has had an immeasurable impact on American acoustic music. A trail-blazing instrumentalist, composer, bandleader, and creator of a living musical genre, David has influenced contemporary string players from Bluegrass to Pop and Jazz. We are delighted that he will be joining us on Saturday May 17th to present a workshop on arranging, and to participate in a moderated conversation about his music and his vital work as a conservator of string traditions.…
Zoe Guigueno
Upright Bass
Zoe Guigueno (GIG-an-oh) is a bassist and songwriter headquartered in New York City. While jazz trained, she can also often be found playing klezmer, Americana, or indie-rock. She has performed with Steve Martin, busked in a pink gorilla costume, and played upright bass while whitewater rafting. Her most recent solo album, We Were Radar Stations, came out on Fiddlehead Records in October 2022.
Tyler Jackson
Tenor Banjo
Tyler Jackson is a world renown tenor banjoist and upright bassist. Under the tutelage of Buddy Griffin, Tyler quickly learned the ukulele, tenor banjo, and electric bass. Tyler went on to study the double bass at the University of North Texas under Lynn Seaton and began to fine-tune his skills as a professional bassist.
Dennis Lichtman
Mandolin
Dennis Lichtman is a multi-instrumentalist (clarinet, mandolin, fiddle, and more) who has
been living, performing, composing, and teaching in New York City since 2002. He is a
Selmer Paris Artist as an endorser of their Signature Clarinet. His music was recently
used in director David Simon’s The Plot Against America (HBO) and he has appeared this
year as a clarinetist on Succession (HBO) and The Blacklist (NBC).…
Mikiya Matsuda
Steel Guitar
Mikiya Matsuda is a steel guitarist and sometimes string bassist living in San Francisco, CA. He is the leader of the Alcatraz Islanders, a swing-era Hawaiian group, and a regular sideman with various traditional jazz and western swing dance bands in the Bay Area.
Matt Munisteri
Artistic Director, Red Hot Strings
Guitarist, singer, songwriter, and Brooklyn native Matt Munisteri grew up with early interest in American folk music that led him from finger-style Country and Ragtime guitar, through Blues, to Tin Pan Alley and Jazz. His own compositions, and lauded guitar playing, accurately reflect this life-long immersion in the history of American Popular Song; linking rural and urban, long-gone with contemporary.
Maxwell Poulos
Mandolin
Maxwell Poulos is a New Orleans-based, internationally recognized multi-instrumentalist performer and music teacher. Specializing in mandolin and banjo, Maxwell began his training in California and then spent several years busking professionally in New Orleans’ city streets and night clubs, integrating himself into a rich and diverse array of musical styles including jug band, ragtime, jazz and little-known catalogue of traditional Italian mandolin music.…
Evan Price
Violin
Evan Price is a versatile violinist and composer best known for his work with the paradigm-shifting chamber ensemble, The Turtle Island Quartet, and with The Hot Club of San Francisco, the most venerable gypsy jazz band in North America. A native of Detroit, Michigan, he grew up studying classical violin while mixing with folk and jazz musicians of all stripes, learning to fiddle and improvise in various styles as well as teaching himself to play numerous folk instruments.…
Molly Reeves
Guitar
Raconteur of song Molly Reeves is a performer and adorer of early 20th-century American music. Molly is known globally for her enigmatic approach to rhythm guitar and her ability to invoke the idiomatic tone and language of 1920s and 30s acoustic guitar players. A crooner by nature, her dynamic and warm vocal stylings echo popular singers and storytellers of yesteryear.…
Whit Smith
Guitar
Whit Smith is a guitarist, singer, songwriter and founding member of the highly acclaimed Western swing trio, The Hot Club of Cowtown. He is known by guitarists for his driving rhythmic style, and for his ability to move through chord progressions employing endlessly creative variety harmonies. After nearly 30 years of vigorous touring, performing and recording, Whit has arrived at a style that pays clear homage to a variety of influential guitarists from the 1930’s and 40’s, while serving as the perfect vehicle for his own bracingly original ideas.…