About Choro Northwest
Tuesday, April 21 - Sunday, April 26, 2026
Brazilian choro began evolving in the mid-19th century, combining elements of the musical traditions of Indigenous, African, and Western-European people living in Rio de Janeiro. By the early 20th century, choro had become a nationalistic movement, a uniquely Brazilian art form that grew from a common-peoples manner of playing European music, to a genre with its own distinct style. Full of rhythmic energy, melodic beauty, and a longing nostalgia called saudade, choro has an infectious charm that has gained popularity in many areas of the United States. Welcome to the Choro Northwest community!
This year we are celebrating the music of Pixinguinha, the revered Brazilian composer, saxophonist, and flutist. Pixinguinha contributed so much to the popularization of choro that Brazil’s National Day of Choro is on his birthday, April 23. We are also welcoming a new faculty member for this year, Jéssica Carvalho! She specializes in rabeca (fiddle), cavaquinho, and percussion.
Experience Choro Northwest
Artistic Director
Douglas Lora
Three-time Grammy nominee guitarist and composer Douglas Lora moves with versatility through the worlds of Classical and Popular Music and has established himself as one of the most prominent artists of his generation.
With his wide musical repertoire, Douglas has collaborated with renowned artists such as YoYo Ma, Paquito d’Rivera, Assad Brothers, Anat Cohen, Marco Pereira, Jovino Santos Neto, Ney Rosauro, Marina Piccinini, Paulo Bellinati, among others.
Artist Faculty
Jéssica Carvalho
Faculty
Rabeca (fiddle)/Cavaquinho/Percussion
Jéssica Carvalho recently finished her Bachelor of Music Education degree at Faculdade Claretiano after achieving a Bachelor of Science in Geology from the University of Brasília in 2017. She discovered her passion for music in 2016, after moving to Germany for an exchange program and has since then dedicated herself exclusively to music.…
Anat Cohen
Faculty
Clarinet & Saxophone
Ever charismatic, prolific and inspired, Grammy-nominated clarinetist-saxophonist Anat Cohen has won hearts and minds the world over with her expressive virtuosity and delightful stage presence. The New York Times writes, “Ms. Cohen on the clarinet was a revelation. Using the clarinet’s upper register, she could evoke infectious joy.…
Alexandre Lora
Faculty
Percussion/Pandeiro
Alexandre Lora moves easily within different styles of Brazilian popular music, performing as a drummer and percussionist. He has been on the faculty of Centrum’s Choro Workshop since 2012. He has performed extensively in Europe including Amsterdam, Rotterdam and a tour of 33 cities in Spain. With Trio Brasileiro he has performed in major US cities such as New York, Chicago, Boston, Seattle, Miami and Portland.…
Dudu Maia
Faculty
Bandolim
Dudu Maia brings a lifetime of research and study of Brazil’s greatest musical traditions to his work. A virtuoso of the bandolim (a Portuguese version of the mandolin), Dudu served for five years as the bandolim professor of Brazil’s most respected Choro school, the Escola Brasileira de Choro Raphael Rabello in Brasília. He is known for his soulful style, unique touch and his mastery of the 10-stringed bandolim, which has two more strings than the standard bandolim, expanding its musical range and harmonic possibilities.…
Daniela Spielmann
Faculty
Saxophone & Flute
Daniela Spielmann has been part of the Brazilian Choro scene since 1998 as a saxophonist, flutist, composer and arranger. Her music is current and at the same time respectful of the great Brazilian composers of the past. Her first CD as a member of the Choro ensemble Rabo de Lagartixa (Gecko´s Tail) was given a critics’ award for the best instrumental CD of the year and in 2002 her first solo album, Brazilian Breath, was nominated for a Latin Grammy.…
Workshop
-Ensemble coaching with faculty: up to ten participants per ensemble will each be coached by one faculty member. No performance required.
-The bandão! The all-participant big band will rehearse and perform three arrangements of choros. The bandão was a new feature last year and a big hit. We realized that we could cut the rehearsal time in half, providing more time for small ensemble coaching.
-A masterclass for pre-formed groups that would like to play and be coached by faculty while the rest of the participants observe.
-Group sessions with special topics such as rhythm warm-ups.
You need to be over 18 years old to attend this workshop.
Schedule
Choro Northwest 2026 Schedule
Tuesday, April 21
4:00 - 5:30pm – Check-in
6:00 - 7:00 – Dinner
7:00 - Rodas
Wednesday, April 22
8:00 - 9:00am – Breakfast
9:00 - 10:15 – Workshop orientation with faculty and rhythm warm-up
10:15 – 10:45 - Coffee Break
10:45 - 12:00 – Instrument specific classes
12:00 - 1:00pm – Lunch
1:00 – 2:00 - Free time
2:00 - 3:15 – Electives by participants
3:30 - 5:00 – Ensembles 204 Building, and Wheeler
5:00 – 6:00 - Free time
6:00 – Dinner
8:00 – Rodas in participant housing (facilitated by participants)
Thursday, April 23
8:00 - 9:00am – Breakfast
9:00 - 10:15 – Group Session: Rhythm with Alexandre
10:15 – 10:45 - Coffee Break
10:45 -12:00 – Instrument classes
12:00 - 1:00pm – Lunch/ Break
1:00 – 2:00 - Free time
2:00 - 3:00 – Ensembles
3:15 - 4:30 – Break
4:30 – 5:15 - Bandão Rehearsal w/ Faculty
6:00 – Dinner
8:00 – Rodas
Friday, April 24
8:00 - 9:00am – Breakfast
9:00 - 10:15 – Group Session: Rhythm warm-up; Voluntary Ensemble Master Class
10:15 – Coffee break with CD Sales
10:45 – 12:00 – Instrument classes
12:00 - 1:00pm – Lunch
1:15 – 2:00 – Bandão Rehearsal w/ Faculty
2:30 – 3:30 – Ensembles or jamming (without faculty)
3:30 – 6:00 - Free time
6:00 – Dinner
7:30 – Faculty Concert
Evening Rodas
Saturday, April 25
8:00 - 9:00am – Breakfast
9:00 - 10:00 – Rhythm warm-up; presentation TBD
10:00 – 10:45 - Coffee break
10:45 – 12:00 – Instrument classes
12:00 - 1:00pm – Lunch
1:00 – 2:00 - Break
2:00 - 3:00 – Ensembles
3:15 – 4:15 – Break
4:30 - 5:15 – Bandão Rehearsal/Soundcheck w/Faculty
6:00 – Dinner
7:30 – Faculty and Bandão concert
Sunday, April 26
9:00 - 10:30am – Brunch, group photo, and Roda
11:00 – Checkout
Costs
2026 Costs
- Tuition $650
- Housing $450 ($40 less than last April!)
- Meal plan: $325 for breakfast, lunch and dinner.
- Our new food service provider is locally based Planted. Planted offers nourishing plant-based meals and ingredients that are locally sourced from the Olympic Peninsula. For more info on Planted, visit plantedporttownsend.com.
FAQ
Answers to common queries are below. Not finding what you need? Please contact Program Manager Gwen Franz: gfranz@centrum.org, (360) 385-3102 x109 or Program Assistant Matt Jones: jazz@centrum.org, (360) 385-3102 x106
What is Choro music?
Pronounced sho-ro (with a slightly rolled r), Brazilian choro originated in Rio de Janeiro from a combination of Afro-Brazilian and Portuguese late-Baroque influences. Evolving from the late 19th century for decades, choro reached a height of popularity by the mid-20th century. Composer/performers such as Ernesto Nazareth, Jacob do Bandolim, and Pixinguinha were prominent influencers in its development and growth as a unique popular music of Brazil. The word choro in Portuguese means “cry” or “lament,” which seems contrary to the mood of so many of the playful, fast-paced choros. In the slow tempo choros however, one hears the element of saudade, or nostalgic longing.
What does Choro sound like?
Here are some YouTube links featuring our faculty playing typical Choro tunes:
Meals
- Our new food service provider is locally based Planted. Planted offers nourishing plant-based meals and ingredients that are locally sourced from the Olympic Peninsula. For more info on Planted, visit plantedporttownsend.com.
- The first meal is dinner on April 21; the last meal is breakfast on April 26.
Cancellation/Refund Policy
- $325 deposit is nonrefundable.
If you need to withdraw, you must inform us no later than March 3, 2026 to receive a full refund, minus deposit.
Your full payment is due by March 4, 2026.
Newcomers
Newcomers
Classical, jazz and music-reading folk musicians will feel comfortable in this workshop and will enjoy expanding their skills through this genre. You need to be proficient on your instrument, i.e. comfortable with the mechanics of playing. We always have a range of people with different backgrounds and abilities, but we try to balance the ensembles to be supportive of everyone.
The standard choro instruments are usually mandolin, clarinet, flute, sax, cavaquinho, guitar, piano, and pandeiro (hand percussion rather than drum set) Other string players such as violinists, cellists and bass players are welcome as well. Some other instruments are also accepted. If you have any questions, please contact Gwen Franz at 306-385-3102 x109 or gfranz@centrum.org
You need to be 18 years or older to attend this workshop.
Past Artist Faculty
Anat Cohen
Faculty
Clarinet & Saxophone
Ever charismatic, prolific and inspired, Grammy-nominated clarinetist-saxophonist Anat Cohen has won hearts and minds the world over with her expressive virtuosity and delightful stage presence. The New York Times writes, “Ms. Cohen on the clarinet was a revelation. Using the clarinet’s upper register, she could evoke infectious joy.…
Alexandre Lora
Faculty
Percussion/Pandeiro
Alexandre Lora moves easily within different styles of Brazilian popular music, performing as a drummer and percussionist. He has been on the faculty of Centrum’s Choro Workshop since 2012. He has performed extensively in Europe including Amsterdam, Rotterdam and a tour of 33 cities in Spain. With Trio Brasileiro he has performed in major US cities such as New York, Chicago, Boston, Seattle, Miami and Portland.…
Dudu Maia
Faculty
Bandolim
Dudu Maia brings a lifetime of research and study of Brazil’s greatest musical traditions to his work. A virtuoso of the bandolim (a Portuguese version of the mandolin), Dudu served for five years as the bandolim professor of Brazil’s most respected Choro school, the Escola Brasileira de Choro Raphael Rabello in Brasília. He is known for his soulful style, unique touch and his mastery of the 10-stringed bandolim, which has two more strings than the standard bandolim, expanding its musical range and harmonic possibilities.…
Jovino Santos Neto
Piano
Three-time Latin Grammy nominee Jovino Santos Neto is a master pianist, flutist, composer, arranger, conductor and educator from Rio de Janeiro, Brazil. After 15 years as a member of the legendary Hermeto Pascoal Group, he moved to Seattle in 1993. Since then, Jovino has established himself as a charismatic performer, whether playing solo piano, leading his Trio, his award-winning Quinteto, or in guest appearances with ensembles and orchestras worldwide.…
Daniela Spielmann
Faculty
Saxophone & Flute
Daniela Spielmann has been part of the Brazilian Choro scene since 1998 as a saxophonist, flutist, composer and arranger. Her music is current and at the same time respectful of the great Brazilian composers of the past. Her first CD as a member of the Choro ensemble Rabo de Lagartixa (Gecko´s Tail) was given a critics’ award for the best instrumental CD of the year and in 2002 her first solo album, Brazilian Breath, was nominated for a Latin Grammy.…
Performances
CHORO NORTHWEST
Faculty ConcertFriday, April 24, 2026
7:30 p.m.
Wheeler Theater
Faculty & Bandão Concert
Saturday, April 25, 2026
7:30 p.m.
Wheeler Theater
Tickets are included in registered participant tuition.
Choro Northwest Facts
- Artistic Director: Douglas Lora
- Established in 2010
- Instrumentation: strings, woodwinds, accordion, piano and hand percussion
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