Cheick Hamala Diabaté
Biography
Cheick Hamala Diabaté, ngoni, banjo
with Danny Knicely, mandolin, fiddle
Born in Kita, Mali, Cheick Hamala Diabaté is recognized as one of the world’s masters of ngoni, a Malian traditional instrument, and a West African historian in the Griot tradition. A sought-after performer, lecturer, storyteller, and choreographer throughout Africa, Europe, Asia, and Canada, Cheick Hamala began touring in the U.S. in 1995. He has performed at venues such as the Krannert Center, the Smithsonian Institution and the John F. Kennedy Center for the Performing Arts.
A steward of the 800-year-old tradition of the Griot, the storytellers of West Africa, Cheick Hamala shares the oral history, music, and song of his culture as it was passed on to him from birth by parent to child. At an early age, Cheick Hamala mastered the ngoni, a stringed lute and ancestor to the banjo. He learned to play the guitar from his uncle, and now plays banjo and several other instruments; but his renown remains with the historical ngoni.
At age 12, he was invited to the National Institute of Arts in Bamako, Mali’s Capital, where he studied music, graphic arts, cinema, literature and theatre. He began his international performing career upon graduation.
Cheick Hamala works with notable traditional African dance companies based in the U.S. as instructor, choreographer, and performer. He also performs solo and with his ensemble, The Griot Street Band, playing traditional Manding Griot instruments. His music always reflects the historical integrity of an important art form with a rich tradition stretching back hundreds of years to the formation of the Great Malian Empire.
Accompanying Cheick Hamala will be Danny Knicely, who comes from a musical family steeped in a mountain music tradition for generations.
He first learned to play from his grandfather, A.O. Knicely, who played dances and social events in the Shenandoah Valley of Virginia beginning in the 1930’s. Danny has used his roots in old-time and bluegrass to explore various types of music from around the world. He has collaborated with musicians in over a dozen countries spanning four continents, including U.S. State Department tours in Tunisia, Morocco, Russia and Cabo Verde.
Danny has won many awards for his mandolin, guitar, fiddle and flat-foot dance expertise, including first place in the mandolin contest at the prestigious Telluride Bluegrass Festival. His masterful mandolinistry and original compositions can be heard on his debut recording “Roots and Branches” and his colorful, versatile, acoustic guitar picking can be heard on his “Waltz for Aimee” album.
Danny is an avid music educator whose students have gone on to attain degrees at institutions such as Berklee College of Music and Oberlin Conservatory. He has also taught at some of the leading music camps in the U.S. including Augusta Heritage Center, Common Ground on the Hill, Fairbanks Summer Arts Festival, and Millwood Blues Week.