William Fedkenheuer is widely respected as a performer, teacher, and consultant. Uniquely drawing on two decades of experience onstage and off as a member of three internationally renowned string quartets (The Miró, Fry Street, Borromeo Quartets), he dedicates his life to serving others through performance, teaching, personal and professional development.

Growing up in Calgary, Alberta, Canada, William became the youngest member of The Calgary Fiddlers in 1983 and was named a Canadian national fiddle champion in 1989 before making his solo debut with the Calgary Philharmonic in 1994.

As a soloist and chamber musician, William performs on the world’s most prestigious stages including Carnegie Hall, Esterhazy Castle, Suntory Hall, and the Taipei National University of the Arts and appearances in the media include NPR, PBS, NHK, and the Discovery Channel as well as Strings and Strad magazines. Recipient of Lincoln Center’s prestigious Martin E. Segal Award, collaboration highlights include commissions and premiere’s of major new works by Kevin Puts, Osvaldo Golijov, and Gunther Schuller and performances with Leon Fleisher, Sasha Cooke, Colin Currie, Wu Han, Jeffrey Kahane, Audra McDonald, Midori, David Shifrin, and Dawn Upshaw. William serves as an Associate Professor of Instruction at the University of Texas at Austin’s Butler School of Music and oversees its Young Professional String Quartet Program.

William also maintains an active schedule as a consultant and professional development coach. Drawing on his past twenty-five years of experience developing highly effective strategies, principles and tools for how to thrive as a classical musician, ensemble, and organization, his mission is to empower each individual to give permission to be their most impactful, creative, and alive self. More information can be found at https://williamfed.com

An active hiker, fly-fisherman, and burger connoisseur, William has two sons, Max and Olli who share his love of curiosity, discovery, innovation and chocolate. William performs on a violin by Peter and Wendy Moes, and bows by Charles Espey and Ole Kanestrom.